Kodak Fixer (F-5)

FixerStock Solution
KodakDilution: Full strength (use as-is)

Kodak Fixer F-5 is the canonical sodium-thiosulfate hardening fixer formula in B&W photography — published by Kodak in the 1930s and continuously referenced as the standard against which every other B&W fixer is compared. The formula is one of the most-cited recipes in the entire darkroom canon: 240 g sodium thiosulfate (the thiosulfate "hypo"), 15 g sodium sulfite, 13 ml glacial acetic acid, 7.5 g boric acid, and 15 g potassium alum per liter of working solution.[1]

F-5 is a hardening fixer — the potassium alum component cross-links gelatin in the emulsion, producing a tougher, more abrasion-resistant surface on the developed negative or print. This was essential for the rough handling and air-drying conditions of mid-20th-century darkrooms but matters less in modern darkroom practice with careful handling and controlled drying. The hardening property is the main reason photographers choose F-5 today: when prints will be intensively handled (matting, framing, archival processing involving multiple bath transfers), F-5's hardening surface is more durable than non-hardening alternatives.

The trade-off: hardening fixers wash out more slowly than non-hardening fixers — the cross-linked gelatin holds residual fixer chemistry more tenaciously. F-5 typically requires 30+ minutes of running-water wash for fiber prints to achieve archival residual-thiosulfate levels, vs 15-20 minutes for non-hardening alternatives. Use of a wash-aid (Hypo Clearing Agent, Perma Wash) is more important with F-5 than with non-hardening fixers.

F-5 is mixed from individual chemicals (Kodak no longer sells pre-mixed F-5 powder — it was discontinued from packaged form in the early 2000s) and used full-strength as a working solution. Capacity ~25 8x10 prints per liter or ~5-6 rolls of 35mm/120 film per liter before exhaustion.

When to choose F-5 over Rapid Fixer or TF-4

F-5 is most often weighed against Rapid Fixer (ammonium thiosulfate, faster) and TF-4 (alkaline non-hardening, archival-optimized):

  • vs Rapid Fixer: Rapid fixer is 2-3× faster (1-2 min for film vs F-5's 5-10 min). Choose Rapid Fixer for routine workflow speed; F-5 when hardening matters or when traditional film/paper combinations are sensitive to ammonium ion (rare but documented for some chlorobromide papers).
  • vs TF-4 Alkaline Fixer: TF-4 is non-hardening and alkaline — washes out in ~5-10 min vs F-5's 30+ min. Choose TF-4 for archival workflows where minimum-wash-time matters; F-5 when hardening is the priority.
  • vs F-24 Non-Hardening: F-24 is the same Kodak family without the alum hardener. Choose F-24 when you want F-5's chemistry without the hardening; F-5 when you specifically need the hardening surface.

The thiosulfate fixing chemistry

F-5's chemistry combines five distinct chemical roles:[2]

  • Sodium thiosulfate (240 g/L) — the active fixer; reacts with undeveloped silver halide to form soluble silver thiosulfate complexes that wash out of the emulsion
  • Sodium sulfite (15 g/L) — preservative; protects the thiosulfate from acid decomposition (sodium thiosulfate releases sulfur gas if exposed to acid without sulfite protection)
  • Glacial acetic acid (13 ml/L) — pH adjuster; brings the bath to ~pH 5, which activates the alum hardener and provides additional protection against developer carry-over
  • Boric acid (7.5 g/L) — buffer; keeps the pH stable as developer carry-over (which is alkaline) accumulates in the bath over many prints
  • Potassium alum (15 g/L) — the hardener; provides aluminum ions that cross-link gelatin chains in the emulsion

The complete chemistry is well-balanced: F-5 maintains its working pH and capacity even after substantial use because the boric acid + sulfite buffering system absorbs the alkaline carry-over from developer trays. This is why F-5 capacity is high relative to simpler "plain hypo" fixers.

Working-solution and capacity workflow

Standard reference times in F-5 working solution at 20°C:

MaterialTime
35mm/120 film (most modern emulsions)5-10 minutes (use 2× clearing time as the rule of thumb)
Fiber-base paper5-10 minutes total — 2 baths of 5 min each is the archival standard
RC paper2-3 minutes total — 2 baths of 1-1.5 min each

Capacity per liter (when to discard or use a second bath):

  • ~25 8x10 fiber prints (then activity drops too low for safe complete fixing)
  • ~5-6 rolls of 35mm or 120 film
  • For archival paper work, the two-bath fixing approach (fresh fixer in second bath, cycled to first bath when first is exhausted) gives much higher safety margin

Detection of exhaustion: F-5 develops a slight yellow-brown tint as it ages (silver bromide load); test with a clip of fresh film — if clearing takes longer than 90 seconds vs the original 60 seconds, the bath is approaching exhaustion.

Practical notes

  • Mix from individual chemicals: Kodak doesn't sell pre-mixed F-5 packets in 2026. Source from Photographer's Formulary, Bostick & Sullivan, or Photo's Spot. Hand-mixing is straightforward but requires the full chemical inventory.
  • Mix in published order: dissolve thiosulfate in 750 ml water at 50°C first, then add sulfite, then acetic acid (slowly — generates heat and may release sulfur dioxide briefly), then boric acid, finally potassium alum. Top up to 1 liter.
  • Working solution keeps 6 months in tightly-sealed full bottles; discard sooner if cloudy or sulfurous-smelling (sulfur precipitation indicates bath failure — discard).
  • Always use a stop bath before F-5 — direct transfer from alkaline developer to F-5 produces yellow staining on prints. Citric acid stop bath is sufficient; acetic-acid stop bath also works.
  • PPE: Standard fixer-handling — nitrile gloves and eye protection. Acetic acid is mildly irritating during mixing; potassium alum is a known sensitizer for cumulative exposure.
  • Wash thoroughly — F-5's hardening property means longer wash times. Use a wash aid (HCA or Perma Wash) for fiber prints to reduce wash time and ensure archival residual-thiosulfate levels.

Related recipes

  • [[recipe-rapid-fixer|Rapid Fixer]] — ammonium-thiosulfate alternative; 2-3× faster fixing time
  • [[recipe-f-24-non-hardening|F-24 Non-Hardening Fixer]] — same Kodak family without alum hardener
  • [[recipe-tf-4-alkaline-fixer|TF-4 Alkaline Fixer]] — Photographer's Formulary archival alternative; non-hardening, alkaline, fast wash
  • [[recipe-citric-acid-stop-bath|Citric Acid Stop Bath]] — required pre-fix step
  • [[recipe-hypo-clearing-agent|Hypo Clearing Agent]] / [[recipe-perma-wash|Perma Wash]] — wash-aid step that follows F-5 in the workflow
  • [[recipe-krst|Kodak Rapid Selenium Toner]] — archival toner that follows the fixer + wash chain

References

  1. BOOK Anchell, Steve. The Darkroom Cookbook 4th ed. Focal Press, 2016. ISBN 9781138959170.
  2. BOOK Haist, Grant. Modern Photographic Processing, Volume 2 1st ed. John Wiley & Sons, 1979. ISBN 0-471-04635-X.

Mixing Instructions

Start with 600 ml of water at 52 °C (125 °F).

  1. Add sodium thiosulfate (hypo) and stir until dissolved — this is the bulk of the formula and may take several minutes.
  2. Add sodium sulfite and stir until dissolved.
  3. Add acetic acid (28%) slowly with stirring.
  4. Add boric acid and stir until dissolved.
  5. Add potassium alum last — it will precipitate if added before the acid.
  6. Add water to make 1 liter.

Let cool to 20 °C. Working strength; keeps 2 months.

Ingredients for 1L of Stock Solution

Volume:
ml
#ChemicalRoleQty (1L)UnitNote
1Sodium ThiosulfateFixing Agent240.0g
2Sodium SulfitePreservative15.0g
3Acetic AcidOther48ml
4Boric AcidOther7.5g
5Potassium AlumHardener15.0g